To Burn, Forest, Fire is an artwork by Katie Paterson that uses scent to explore the first-ever forest on Earth, and the last forest in the age of the climate crisis. The artwork employs the senses to cultivate an intimate, intuitive experience that aims to transport participants through time as a reminder of the increasing levels of extinction caused by humanity. 

Katie Paterson’s IHME Helsinki 2021 commission was born out of the artist’s fundamental drive to create artwork that heightens awareness of the sixth extinction. To Burn, Forest, Fire explores the scent of the first and last forests through the creation of bespoke incense sticks. The artist collaborated with scientists to define and characterise these forests, the scents of which have been made into incense and burned across a variety of sites around the city of Helsinki, and beyond.

The Earth’s first forest grew in modern-day Cairo, New York State, 385 million years ago. It was discovered through fossilised root systems containing three types of ancient plant species, including Archaeopteris, which had well-developed roots, a large trunk and branches with leaves. What would it have been like, this forest? A shady place of greens and browns, certainly, but probably with little other colour – the evolution of flowers was still a long way into the future. A quiet place, probably – not quite bereft of animal life, for small millipedes, mites, springtails, crustaceans and other invertebrates had already moved onto land with the plants.

The second incense stick recreates the scent of a living forest biome that is acutely endangered, and has become an emblem of the ongoing ecological crisis: the Amazon Rainforest. Home to about 10% of all biological species on Earth, the Amazon has thus far been deforested by about 20%. Reduced rainfall due to climate change is driving a feedback loop in the Amazon involving wildfires and the local hydrological cycle, which could convert much of the rainforest to savanna by the end of this century.

In To Burn, Forest, Fire, the Amazon is represented by a single locality: the Tiputini Biodiversity Station in the Yasuní Biosphere Reserve in Ecuador. The Tiputini station provides the IHME commission a discrete look into the Amazon which, at least for the time being, remains a vast and varied rainforest biome.

These past and future environments have been translated into incense, in collaboration with Japanese perfumers and incense makers Shoyeido. The scent of the first forest is guided by basic, identifiable elements of the Devonian environment: the soil, the plants and their closest modern analogues such as lycopsids and liverworts, and the swampy aroma of anaerobic decay.

By comparison, the scent of the last forest can be developed from a much wider body of information. Dr Ana María Yáñez Serrano’s research on airborne volatile organic compounds (VOC’s) describe the chemical constituents of the modern rainforest scents: the isoprene emitted by almost all plants, but also an assemblage of dozens of monoterpenes and sesquiterpenes unique to the Amazon. This chemical foundation is complemented by careful descriptions made by the staff and local groups at the Tiputini Biodiversity Station in Ecuador. Field observations in the vicinity of the station in early 2021 recorded a stunning array of scents, from the alcoholic fizz of guava trees to the fresh peanut-like aroma of the Earth, all combining to a unique sweet and bitter fragrance of the modern Amazon.

To pinpoint the first and last forests, the project turned to geology, and the scientific knowledge about the long-term evolution of life on Earth. A team of advising geologists included Prof. Jan Zalasiewicz (University of Leicester, UK) and Dr J. Sakari Salonen (University of Helsinki), with further comments and advice from Prof. David George Haskell (University of Sewanee, USA), Dr Chris Berry (University of Cardi, UK) and Prof. Sarah Gabbott (University of Leicester, UK). In addition, collaborators include ecologists and biologists specialised in modern-day, threatened rainforest biomes: Dr Ana María Yáñez Serrano (CREAF, Ecological and Forestry Applications Research Centre, Spain) and David Romo Vallejo (Tiputini Biodiversity Station, Ecuador).

To Burn, Forest, Fire is taking place:

Evergreen, F15, Moss, Norway, 28 May - 5 October 2022
ARTANGEL, UK: 21.12.2022 at Senate House Library
ARTINGENIUM, San Sebastián, Basque Country: Date and place TBC
ART JAMEEL, Dubai / Middle East: 9.10.2022 at Jameel Arts Center
ARTSONJE CENTER, Seoul, South Korea: 8.10.2022 at Artsonje Center
BUNDANON, New South Wales, Australia: 23 November 2022 to March 2023 coastline at Ihumatou Fossil Forests
DHAKA ART SUMMIT, Bangladesh: During January 2023 but date and place TBC
ICELANDIC ART CENTER, Reykjavik, Iceland: 3.9.2022 at Living Art Museum
KHOJ, New Delhi, India: During April 2023 but date and place TBC
MUSEUM OF CONTEMPORARY ART AND DESIGN (MCAD), Manila, Philippines: 6.8.2022 at Arroceros Forest Park
TE TUHI, Tamaki Makaurau Auckland, Aotearoa New Zealand / Oceania: Date and Place TBC
UCCA, Beijing / Qinhuangdao: 21.3.2023 at Ucca Dune or the Tang Hotel
YINKA SHONIBARE FOUNDATION, Lagos / Ijebu, Nigeria: Date and Place TBC
WAAG Amsterdam, Netherlands: either during Sep to Oct 2022 or during March to Jun 2023, date and time TBC

Edinburgh City Art Centre: 16 November 2023, 7.30pm, Saturday 16 December 2023, 12.30pm, Saturday 27 January 2024, 12.30pm, Saturday 24 February 2024, 12.30pm

Kunst Haus Wien 'INTO THE WOODS. Perspectives on Forest Ecosystems’. Part of Vienna Climate Biennale
April 10th, 2024. 16h
May 15th, 2024. 18h
June 19th, 2024. 18h

Bard College 'Carboniferous Love’
April 6th 2024
May 28th 2024

Katie Paterson and David Haskell in conversation

Art, Science, Ecology: Katie Paterson, Jan Zalasiewicz, J Sakari Salonen


Collaborating with leading scientists and researchers across the world, Katie Paterson’s conceptual projects consider our place on Earth in the context of geological time and change.

To Burn, Forest, Fire was first commissioned by IHME Helsinki, a contemporary art organisation that situates its activities in a dialogue between art and science. Collaborating with artists and Finnish and international partners, IHME has commissioned annual art projects for ten years.

Collaborative Scientists: Professor Emeritus Jan Zalasiewicz (University of Leicester School of Geography, Geology and Environment), Docent of Palaeoclimatology J. Sakari Salonen (University of Helsinki), Palaeobotanist Chris Berry (University of Cardiff, Wales), Professor of Literature, Biology and Environmental Research David George Haskell (Sewanee: The University of The South, Tennessee, USA), Researcher Ana Maria Yáñez Serrano (Centre for Ecological Research and Forestry Applications (CREAF), Barcelona, Paleobiologist Sarah E Gabbott (School of Geography, Geology and Environment, University of Leicester)

Katie Paterson Studio: Siobhán Maguire

Production: Paula Toppila, Executive Director, IHME Helsinki

Communications and Marketing: Päivi Matala, Cultural Producer, IHME Helsinki

Carbon footprint calculation: Saara Korpela, Eco-coordinator, IHME Helsinki

Incense makers: Shoyeido Incense Co. Ltd: Masataka Hata, Teiji Fujimoto, Tadashi Matsuoka

Photography: Veikko Somerpuro

Film: Samy Kramer, Martin Jäger, Petteri Laine in collaboration with IHME Helsinki

Graphic design: Fraser Muggeridge, Luke Charsley, Marjo Malin

Editor: Faye Fornasier

Translations: Shuko Noguchi, Alejandro Herrera, Mike Garner, Mustion Merkitys

Helsinki venues: Old City Hall, Henri Kähkönen, Observatory, Päivi Harjunpää, The Rock Church,  Heli Suhtala Ulvalic, The Crypt of the Cathedral, Anni Roiha,  Cultural Centre Stoa, Sanna Nuutinen, Korkeasaari Zoo, Susanna Silvonen, Roihuvuori Parish Church Hall, Otto-Ville Mikkelä, National Museum, Hanna Forssell, Fine Arts Academy Hanna Johansson, Suomenlinnan hoitokunta, Paula Lappalainen, Kuurojen liitto (Malmi), Virve Puro, Kumpulan Campus, J. Sakari Salonen, Kumpula Botanical Garden, Sanna Vuori

Audience workers: Sami Nieminen, Joss Allen, Yilin Ma, Kaisa Silvo, Saara Korpela, Erika Aspholm, Jasmiina Kuronen